| title: |
mercury scales - a boltfish
recordings compilation |
|
label: |
boltfish recordings |
|
| format: |
cd / mp3 |
|
| release date: |
26.08.05 |
|
cat. no.: |
bolt019 |
|
tracks: |
so far |
|
reviews: |
||
"several labels have
close interaction with each other, but none quite like the uk's boltfish
collective. they seem to have their tentacles pointed in every direction
with connections to labels like rednetic, en:peg, clickclickdrone, october
man, laced milk technologies, toytronic and several others. always there
to induce the creative musical energy of their roster, boltfish have
introduced their second compilation disc, mercury scales, yet another
distinct departure into digital space --a follow-up to their well-received
region zero compilation from august 2004. mercury scales glows in a
different light, however, focusing on calm electrical frequencies and
warm ambient tones. mataya's 'two faces' offers sincere instrumental
beauty and delicate melodies wrapped in tweaked beats with subtle acidic
variations. cheju's sound is constantly growing; his signature style
can't be ignored and with 'so far', you get nothing but precious rhythms
and skittery percussion that magnetically unfolds into your subconscious.
on boc scadet's minimal-electro bass stomper, you can't ignore the synaptic
flow and hypnotic feel that 'caladan' pushes through an atmospheric
bassbin. polestar's emotional tear-jerker is placed in 4th position
on this effectively packaged disc; 'concept car ride' reveals the sound-escapes
to a lost playground somewhere in the middle of nowhere. and just when
you thought those feelings would infinitely continue, mint brushes them
with 'sleeping giant'; a sensitive ambient piece that mechanically exhibits
peace and tranquility within seconds. zainetica's 'when the time comes
(extended version)' is a subterranean voyage into eastern influenced
grooves; tumbling tweaks, moist rhythms, depressed melodies --this track
is an epic piece that sweeps the air in front of you. mescalinaeden's
cascading 'gnosso' is a fabric from outer-space, enriched with the sounds
of connecting planets --its breathing entity of ambience stutters across
the landscape with threaded beats, making for a thoroughly enjoyable
listen. richard houghten's 'something ugly' is not quite what it may
sound like based on the title, it easily compliments the uplifting electro
feel of boc scadet's minimal-electro and slides perfectly with line
noise's 'blue sky ely ptII', both of which unravel a more upbeat focus.
october man's piano-driven 'walking out in broken lines' is a silently
expressive and repetitively attractive piece that blends nicely with
the rumblist's 'ickle mewgul', a track that sparkles like ochre and
shines like plaid --the rumblist delivers a heavily mutated mix of crackling
beats, shivering melodies and inspired emotions. j.auer's 'tier1' introduces
a whole other side to the boltfish oeuvre; rusted, sub-atomic drum'n
bass drenched in skittery beats and acidic intonations; it's the surprise
track on mercury scales that is a breath of fresh air. on (bal-a-klah-va)'s
'the luminous flesh of giants', it's not hard to distinguish cheju's
influence (after all, this is a collaboration between wil bolton and
john lee). this track opens similar to cheju's 'camellia', a persistently
emotive piece that locks its melodies deep into the heart and never
lets go. it's that remarkable. mercury scales may suffer from the usual
melody, ambience and crunchy beats syndrome, but it also delivers a
highly complex range of emotionally soft electronic tracks from a collective
of musicians who strive at keeping the balance right ." - igloomag,
08.05 |
||
"the latest release
from the boltfish camp is entitled 'mercury scales' and it's a severally
limited digi-packed cd compilation showcasing their vast array of talented
artists. on this excellent compilation you'll find the usual suspects
and their high-quality productions: zainetica, boc scadet, october man,
j.auer, richard houghten, bal-a-klah-va, polestar and last but not least
the label bosses themselves mint and cheju. however there're not only
well-known faces on the compilation there are some newcomers as far
as boltfish releases go anyhow: mataya, mescalinaeden, the rumblist
and line noise are debutants. mataya's 'two faces' is a great down-tempo
track with an acid-twist, should cause mayhem on any club night and
a quite beautiful nostalgia filled track at that. mescalinaeden's 'gnosso'
is set in down-tempo mode and has great atmosphere and a timid guitar
accompanies gentle beats. the rumblist's 'ickle mewgul' has excellent
melody and top-of-the-line arrangements together with cut-up breakbeat
based beats you've got a winner! line noise's 'blue sky ely pt2' that
presumably is the continuation of 'blue sky ely pt1' which actually
hasn't been released yet (scheduled for release in sep 2005). it is
a very nice piece of music indeed, securely lodged in the not so viscous
electro department. the upcoming ep on boltfish features more of the
same musical style. great beat programming, bass and lovey selection
sounds and that's always a treat. the unstoppable boltfish recordings'
'mercury scales' is the 19th show of force and you get exactly what
you would be hoping for, 13 excellent electronic tracks by as many artists
and all nicely packaged. the lovely design made by trickster, boltfish's
designer of choice." - electronic
desert, 08.05 |
||
"building on the
success of their previous sampler comes another stunning catalogue of
deep, rich and warm instrumental electronic music. available as a limited
edition package there's thirteen tracks to please the senses. mataya
'two faces' opens the collection with glorious poise and cinematic class.
cheju follows up with 'so far' and by that point you'll be lost in the
soundscapes forever more. polestar 'concept car ride' is truly made
to wash over the mind and erase the stresses of whatever you like. dreamy
music that paints pictures in your mind. mint, zainetica, october man,
richard houghten, j.auer and many more make a contribution to an album
so stunningly beautiful it could well be on the stereo for the rest
of the year." - untitledmusic,
08.05 |
||
"boltfish gets stuck
into it here with another very fine compilation cd featuring some of
the finest underground electronica around. cheju, zainetica, j. Auer,
october man, boc scadet, mint, polestar and more all feature on this
cracking selection. from minimalistic sounds right through to classic
and timeless crunchy, melodic electronics, most forms of this very popular
style are represented and you have to say that at this price, it's an
absolute bargain. bravo!" - smallfish,
09.05 |
||
"boltfish recordings
is an internet label which has been rather active in the last couple
of years, with releases from founding member cheju, mint, zainetica,
j. auer, october man and many more. mercury scales, the second compilation
released by the label, follows last year’s excellent region zero,
with contributions from all of the above plus boc scadet, polestar,
richard houghten, the rumblist and line noise to name but a few. london-based
boltfish recordings is one of a handful of labels to mostly focus on
warm melodic electronica, alongside toytronic, rednetic or lacemilk.
founded at the beginning of 2004 by long term friends and part time
collaborators wil ‘cheju’ bolton and murray ‘mint’
fisher, the label has since released an impressive nineteen mp3 ep's,
with two more scheduled before the end of the year. all releases are
available to download from the site, initially for free, then to buy.
mercury scales is also being released as a limited edition professional
cd. the album contains thirteen tracks of lush electronica. the mood
remains very constant pretty much all the way through the course of
this record, with each contributor appearing to offer a variation on
a theme. the tracks featured here are firmly rooted somewhere between
early warp and boards Of canada nostalgia, tinted with detroit techno,
drum’n’bass or dub. the album opens with croatian artist
malaya and two faces, a beautifully crafted piece of electronic music
with evocative soundscapes, subtle textural layers wrapped around a
discreet melody. the following contributions, so far and caladan, from
cheju and boc scadet respectively, are typically impeccable. both progressing
along a similar template are slow moving and melancholic. built around
radically different soundscapes, it is interesting to see how both artists
manage to recreate similar effects and arrive at a common point. elsewhere,
the tone is a bit sharper, with the like of zainetica, richard houghten
or j. auer exploring more angular sound structures, while the rumblist
or mescalineaden appear to occupy here some kind middle ground, absorbing
elements from both sides to generate their own sonic space. 3.7/5."
- themilkfactory,
11.05 |
||
"a lush digipak,
it's cover showing a feather soaked with drops of mercury. inside thirteen
wonderful tracks. first some unknown names that the small english label
boltfish uncovered for the world. matija tonkovic (mataya) once resident
dj in a famous club in zagreb has the task of introducing the mercurial
world of this elegant collection with five minutes of techno trance
("two faces"). the rhythm is broken, whilst the beat remains
long and languid during label co-owner cheju's track. boc scadet darkens
the atmosphere with a synthetic bass pulse reminiscent of the better
incubi of massive attack. polestar leads on from the style of Warp,
with what would happen if boards of canada and aphex twin joined forces.
amazing." - rockerilla
magazine, 11.05 |
||
| "un an tout juste après sa première compilation (region zero), boltfish recordings nous en propose une seconde, destinée, en treize morceaux et un peu plus d’une heure, aussi bien à faire le point sur ses différentes signatures qu’à présenter d’autres artistes. oeuvrant, comme de coutume sur le label tenu par mint et cheju, dans une electronica mélodique fortement onirique, les treize titres de la compilation sont dès lors bien difficiles à évoquer un par un. ainsi est-il peu évident de distinguer certains morceaux les uns des autres, l’homogénéité de la compilation faisant qu’on peut l’écouter comme un album plutôt que comme un recueil hétéroclite. Après un morceau très traditionnel de mataya, cheju emballe par son travail sur les sonorités rythmiques : non agressives, celles-ci sont sans cesse renouvelées, allant du simple cliquetis à la pulsation dub. dans la foulée de son très bon vessel in june, boc scadet marie joliment nappes sombres, rythmiques précises et discret travail mélodique. a l’instar de son très bon ep paru en mars sur boltfish, polestar séduit avec une electronica mélodique certes ultra-classique mais immédiatement touchante (mélodie délicate, rythmique captivante, nappes accueillantes). se faisant particulièrement mélancolique, mint met principalement l’accent sur des accords de piano et installe une rythmique relativement apaisée. après ces artistes dont on connaissait déjà les travaux, place à présent, pour la seconde moitié du disque, avec des musiciens qui nous sont moins familiers. tout d’abord, on apprécie zainetica (avec une version extended du morceau qui ouvrira son ep à paraître sur boltfish fin octobre) et le mélange proposé entre mélodies aux sonorités robotiques et plages et rythmiques plus traditionnelles. incorporant savamment des traits de guitare électrique digitalisée, l’italien mescalinaeden convainc également alors que le titre de richard houghten pèche par une rythmique trop basique. juste après, celui d’october man, pour sympathique qu’il soit, ne touche guère à cause de son manque d’incarnation à la différence du morceau de the rumblist qui, développant une electronica à l’instrumentation soignée (la batterie semble être à mi-chemin entre l’instrument réel et la création synthétique, la mélodie est l’oeuvre de notes lumineuses), se fait passionnant. trop martial dans sa pulsation, le titre de line noise se fait également trop linéaire dans sa partie mélodique tandis que j. auer propose un déluge rythmique qui a au moins le mérite de rompre le tranquille déroulé de la compilation. enfin, (bal-a-klah-va) clôt mercury scales par un morceau aux ambiances robotiques pas des plus exaltants." - etherreal, 09.05 |
||
"new electronica
label boltfish recordings have done the sensible thing and released
a compilation representing the artists on their label. usually an excellent
way for the curious to pick out favourites from a diverse range of talent,
'mercury scales' initially seems like a set of tracks from the same
group of people, all of whom harbour a love of cool, techno music. it's
decent stuff but lacking the emotional impact of the very best of the
electronic acts. five tracks in, though, the signs of greatness appear
courtesy of mint's 'sleeping giant' which shares a warmth and an air
of mystery with boards of canada. zainetica and mescalinaeden make similarly
haunting contributions whilst line noise offers superior chill-out,
j.auer makes a good case for a drum and bass revival and the rumblist
excels with the multi-layered and highly tuneful 'ickle mewgul'. with
twenty releases now under their belt in less than two years, long may
boltfish continue to evolve." - leonard's
lair, 09.05 |
||