| title: |
partition |
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label: |
october man recordings |
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| format: |
orange cdr |
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| release date: |
17.05.06 |
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cat. no.: |
october man recordings {11} |
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| tracks: |
data packet |
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sundial |
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outdubstarn |
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casiotonic |
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| outdubstarn (mint's octane remix) |
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reviews: |
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"we have this sexy
cheju cd on octoberman recordings. they only made 50 and we got half
of 'em and they're almost all sold out. it's in gorgeous packaging (like
a digitalis cd or something...) and it's 5 tracks of beautiful melodic
electronica. they had a cd out on static caravan a while back so most
of you will be aware of 'em by now. one per person job and they're a
death defying cheap 95p each. miss it at your peril!" - norman
records, 05.06 |
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"cheju 'partition'
(october man recordings). frankly you could have beaten me senseless
and the smile brought about by this release would still have remained
fixed and beaming brightly. those with memories stretching back - ooh
- a month or two ago may well remember us fondly waxing lyrical about
cheju's 'a rainy mile' ep for static caravan. since then there’s
been an explosion of activity at chez cheju (wil bolton) what with the
'despite all resolutions' ep available from camomille (http://camomille.genshimedia.com/091.htm);
a live split with mint available via kahvi at www.kahvi.org/110.php
and his debut full length 'pica' for unlabel as part of their ongoing
series 52 catalogue (which is basically the issue of a weekly release
by an artist not normally associated with unlabel - each edition limited
to just 100 cd-r pressings - subscriptions are still up for grabs -
check www.unlabel.net for more information). okay that’s the recent
history out of the way. cheju as said previously is none other than
wil bolton a london based producer / musician and label owner (boltfish
records - home of statskcartsa, mint, infinite scale, lum, october man
etc….) who seems to delight in wiling away his days constructing
and despatching his delicately absorbing electronic hatchlings to all
fortunate enough to hear them. pressed on an orange cd and housed in
a homemade cream and gold sleeve designed by the man himself, this tasty
5 track outing is ridiculously limited to just 50 copies and only available
via norman records (www.normanrecords.com) for a measly 95p plus postage
(surely some mistake there?) and sure to have sold out faster than the
time it takes you to say where my feckin credit card given that the
labels previous 10 releases have a flown the coup in record time (well
one of them was limited to just 7 copies). as said - five sublime slices
of electronics and treated guitar ear wear lovingly inhabit this set
that by our reckoning are of a better and more honed standing than those
found orbiting that tremendous static release (see above). the set opens
with the grand sounding 'data packet' a stately slice of something else
pop, all at once contemplative, drifting, lulling and creative wise
expansive to the point it as though you are being lovingly smothered
by an ever consuming and ever evolving (texture wise) hermetically sealed
lunar-esque bubble of delights. chamber like initially it soon begins
to unfurl into a deliciously affectionate cocktail of glacial pirouettes
and oriental regalness with temptingly treading squelching beats that
converge to gently tweak the mid 80’s standard bearing harold
faltermayer euro electro pop axis while at varying points sublimely
cross referencing elements of japan ('tin drum'), manual, portal and
the lushly vibrant ambient folds more common of yellow 6. the aching
'sundial' is more skeletally honed in terms of texture, execution and
delivery, bobbling around in its own lonesome orbit it could be a tearfully
mournful post scripting overture for a long forgotten celestial beach
front contrast those moods with the classic metronomic chassis of 'outdubstarn'
with its 'autobahn' era kraftwerk meets early career jean michel jarre
mindset as though paired down into a cerebra dissolving kaleidoscopic
sonic experiment blurred with the suggestion of vague acid / house crossovers
with fly's 70's retro induced motorik 'put the needle down and fly'
used as a key overriding template onto which sonic boom crafts his hypnotic
states of tranquillity. the atmospheric soundscapes and subtle house
/ club overlays hinted within are coaxed seductively to the fore by
a superbly scored remix of the same track by mint. elsewhere not forgetting
the wonderfully lilting 'casiotonic' which like 'sundial' previously
courts an element of sad eyed seaside ballrooms, think tv test card
signatures given a lullaby-esque polish by raymond scott with isan on
hand to twiddle with the analogue controls - one suspects that toasters
and other electrical instruments may well see this as 'lurve' music
- you have been warned. absolutely recommended.." - losing
today, 05.06 |
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"'partition' shows
cheju in form on october man recordings. it is a five track ep filled
with strong melodies and the hinted melancholy that one is used to hear
from cheju. the 'partition' ep has some similarities to his recent static
caravan release 'a rainy mile' with guitars embedded in the production.
the quality is as high as ever, for example the crispness, static and
excellent beats of 'sundial', the wall of sound in 'outdubstarn' or
the hard to resist melody of 'casiotonic'. cheju continues developing
his take on electronic music and successfully incorporates new elements,
while remaining true to his own unique sound, lovely stuff. the fifth
and last track is 'outdubstarn (mint’s octane remix)' as the title
suggests a remix by boltfish’s very own mint. his remix sets a
different mood and could very well have been included on the soundtrack
of carpenter's escape from new york if it had been around at the time.
and finally my compliments to omr for the highly enjoyable artwork and
bright orange disc!" - electronic
desert, 05.06 |
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"wil bolton's resume
is something his peers should aspire to. past releases have seen him
involved with static caravan, acrylik, lacedmilk, unlabel and of course
boltfish, the label he co-runs with friend and fellow electronic musician
mint (who incidentally offers a remix of outdubstarn here). cheju's
latest offering can see the talented london based artist adding october
man records to his cv, with this blistering 5 track collection that
manages to challenge borders of electronic music by flirting with contrasting
styles. firstly, data packet is a beautiful melange of sounds; with
bolton merging downbeat electronica, trip hop drums, juddering spasms
and corrupted glitches. on sundial, the crackles of opiate fizz over
vintage piano notes, yet from here, fennesz style processed textures
are overlaid with beeps and alien radio signals on outdubstarn. casiotonic
is incredibly pretty and the most lovely thing i've heard from cheju,
with its cute keyboards, angelic melodies and the gentle patter of drums.
partition skips gracefully through the history of music, soaking up
vast influences of both nostalgia and contemporary styles. but one thing
has to be questioned - just why isn't an artist as talented as cheju
more well known?" - angry
ape, 05.06 |
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"wil Bolton's cheju
ep partition arrives distinctively, encased within a gold-patterned
cream-coloured sleeve and its tracks pressed onto a gleaming orange
disk. the music itself? the london-based composer and boltfish co-owner
acquits himself well in that regard, with the 24-minute disc housing
five elegantly-crafted exercises in deep, reverberant electronica. its
moods range from the wiry drone 'outdubstarn' (fellow boltfish compadre
mint concludes the disc with an equally pulsating, acidy, and jittery
'octane' remix of same) to the more reflective 'sundial' where bolton
energizes stuttering shimmer with clicking beats and flickering melodies.
similarly contrasting, the ep opens with the elegant drama of 'data
packet' and a mix of heaving guitar masses and crunchy down-tempo rhythms
but also veers into sunkissed isan territory with the quietly jubilant
'casiotonic', where glistening melodies billow over a faded base of
squelchy funk." - textura,
06.06 |
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